Ubi caritas et amor, Deus ibi est. Where charity and love are, God is there. Congregavit nos in unum Christi amor. Christ’s love has gathered us into one. Exsultemus, et in ipso iucundemur. Let us rejoice and be pleased in Him. Timeamus, et amemus Deum vivum. Let us fear, and let us love the living God. Ubi Caritas (SATB) by Ola Gjeilo. 2007 Walton Music & Preview. Item #: WW1386 Status: Available. Ubi Caritas (SSAA) Download Edition - PDF. Ubi caritas et amor, Deus ibi est. Where charity and love are, God is there. Congregavit nos in unum Christi amor. Christ’s love has gathered us into one. Exsultemus, et in ipso iucundemur. Let us rejoice and be pleased in Him. Timeamus, et amemus Deum vivum. Let us fear, and let us love the living God.

SATB, string quartet
Lyrics: Anon.
Language: Latin
Duration: 4:45

Sacred Heart (Ubi Caritas III) is a setting of the 2^nd stanza from the three-stanza Ubi Caritas text. I’d already set the first in 1999 (Ubi Caritas) and the third one in 2012 (Ubi Caritas II: Through Infinite Ages).

While Ubi Caritas II partly played around with some of the material from my first Ubi Caritas, Sacred Heart (Ubi Caritas III) is completely independent from the other two, content-wise, and also deploys a string quartet. Ubi Caritas and Ubi Caritas II were written for a cappella choir.

With all three works now published by Walton Music, the set is complete. And while each one of them are independent works, they were also written with the potential in mind of being performed in succession, or spread across a concert program/recording.

Ubi caritas et amor, Deus ibi est.

Simul ergo cum in unum congregamur:

Ne nos mente dividamur, caveamus.

Cessent iurgia maligna, cessent lites.

Et in medio nostri sit Christus Deus.

Where charity and love are, God is there.

As we are gathered into one body,

Beware, lest we be divided in mind.

Let evil impulses stop, let controversy cease,

And may Christ our God be in our midst.

Ola Gjeilo: Ubi Caritas. Ola Gjeilo was born in , in Sandvika, Norway. From an early age he was exposed to a range of different genres of. With a sound at once modern and medieval, this remarkable setting of the familiar Latin text starts in unison and evokes plain chant, and gradually unfolds into. UBI CARITAS. SATB Chorus a cappella. Music by. Ola Gjeilo celebrating years of timeless choral music. OM WALTON. WALTON. MUSIC walton

Ola Gjeilo ‘Ubi Caritas’: Let Us Rejoice! – Classicalexburns

I carits to write more music that reflected what I listen to. The Best of Brass Alexander Arutunian: It is so important in music.

When Tower was nine, her family moved to Bolivia, which she describes as an integral part of Read more…. Whilst the gjello voice sustains an F tonicthe tenor and bass voices descend in step-wise motion, with the soprano voices ascending in the same manner. After deciding that a career as a composer Read more….

The opening chant is then presented again, but this time with all SATB in unison.

Ubi Caritas with Piano Improvisation | Ola Gjeilo

What are others expecting from me? Image Source Recommended Recording: Roll Up Roll Up! Your email address will not be published. In the last two bars, the bass and soprano land on the tonic and dominant of F minor.

Similar to the opening section, the soprano voice carries the initial melodic line. Leave a Reply Cancel reply. Gjeilo mainly learned music by ear, but did learn how to read music from age 7. We get caught up in these things and distracted from the core question — what is it that I really love? A modulation to B major is heard at the end of this middle section, which comes when the choir are singing the final line of text.

Gjeilo cleverly changes meter twice before completing the work, to prolong the tension in the final cadence. Uhi use of improvisation, jazz and classical conventions amalgamate to create some truly stunning pieces of music. The middle section begins following a neat modulation to A major.

Congregavit nos in unum Christi amor. Gjeilo creates a more jubilant atmosphere here, which can be heard through luscious harmony, accelerating tempos, and ever-expressive dynamics. Differently, the alto and tenor provide the concluding delayed resolution, with them eventually landing on the third and dominant of the F minor chord.

Sheet Music

However, instead of the voices being in unison here, they are in full SATB harmony, which is absolutely glorious. Musical Individualism Joan Tower: Timeamus, et amemus Deum vivum. Exultemus, et in ipso iucundemur. Gjeilo began playing piano, and gravitated towards jazz improvisation. Is it too cerebral?

Ubi Caritas Ola Gjeilo Pdf Online

From an early age he was exposed to a range of different genres of music, but he took a special liking to both jazz and cqritas choral music. Is it too pretty? Is my music modern enough? The opening chant is then concluded by the soprano and alto lines coming together, solidifying the F minor key. It made me happier.

What’s on your mind? This should be the benchmark of all that we composers are looking for. The text, which is related to the Eucharist, is widely known gjeioo the antiphon for the first communion, and the washing of the feet from the Mass for Maundy Thursday.

The text that is at the centre of the work can be seen below:. His keen ear enabled him to be experimental in his compositional style from a young age. So, this is the principle I work with now. The text that is at the centre of the work can be seen below: Gjelio ex corde diligamus nos sincero. Blogs Choral Ola Gjeilo: I felt a lot less creative doubt, and I just began to enjoy composing in a new way.

Tundra Ola Gjeilo Sheet Music

What does my teacher want czritas to do?

Ubi Caritas Ola Gjeilo Partitura Pdf